HOT SEAT
HOT SEAT - Enchanting Storyteller - Fouzia Dastango, Performer & Cultural Revivalist
- Sharmila Chand
- Nov 10, 2025
Fouzia Dastango literally lives and
breathes Dastangoi, the traditional Urdu oral storytelling form. Fouzia – the
first Indian woman Dastango – has brought alive great personalities and
memorable events of the past, such as Dastan-e-Madhubala, Dastan-e-Guru Dutt,
Dastan-e-Meena Kumari, Dastan-e-Ram, Dastan-e-Mahabharat and Dastan-e-Gandhi,
among others. Her journey into performing arts began with a deep love for Urdu
language, literature and theatre. Inspired by Danish Husain’s performance,
Fouzia glided into the world of Dastangoi. Her personal interest grew into a
lifelong mission to revive the storytelling form for modern audiences. Sharmila
Chand catches up with Fouzia backstage at her
show, Dastan-e-Guru Dutt, and is impressed by her interest in and commitment to
the traditional art form.
How has your journey been so far?
My journey has been one of passion, perseverance and
deep learning. It has shaped me as an artist and as a woman.
How do you keep your work and personal
life balanced?
I have learned that balance is not about doing everything at once. It is about
giving the right time to the right thing. This helps me stay grounded, focused
and happy.
What is the secret of your success?
Passion, discipline and authenticity
What is your philosophy of life?
For me, balance, gratitude and continuous learning are essential. Life, like a
Dastan, unfolds one moment at a time, and I want to live each moment with
honesty and grace.
What is your passion in life?
My passion is storytelling – bringing words to life through the art of
Dastangoi. It gives me immense joy to connect with people through stories that
carry language, culture and emotion.
What dreams remain to be fulfilled?
I still have many dreams. I want to take Dastangoi to
more audiences across India and the world. I hope to create new Dastans that
bring forward untold stories and fresh perspectives. I want to mentor young
storytellers, especially women, so that this art continues to grow. I also
dream of collaborating across art forms – theatre, music and cinema – to make
storytelling even more immersive and powerful.
Where do you see yourself ten years from
now?
I see myself continuing this journey as a storyteller, mentor and cultural
ambassador. I hope to have created spaces where new Dastangos can flourish, and
the art form can thrive globally. I also see myself preserving and archiving
Dastangoi for future generations – not
just performing, but building a legacy. My dream is to see this beautiful
tradition shining even brighter a decade from now.
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